My friend Aydin, in his new post, outlines his prescription for the ailing U.S. economy: support for immigrant entrepreneurs. He proposes:
Support the entrepreneurs, especially the immigrant ones. The stimulus
grants the government is handing out to different industries remains a
band-aid solution and basically just re-allocates existing resources.
Supporting the entrepreneurs, on the other hand, is likely to result in
new jobs, create *new* capital (ie new resources).
I have not researched the numbers on this but I strongly suspect that startups (not necessarily small lifestyle businesses, but high-impact entrepreneurial endeavors) are very efficient allocator of resources. We felt this firsthand at SelectMinds, in the earlier stages, and created many jobs very rapidly as NYC climbed its way out of post-9/11 depression and the internet economy recovered from the dotcom crash.
Aydin also thinks startups founded by immigrants are critical to this phenomenon. In that area, as he points out, there's quite a bit of impressive empirical evidence. I have always believed that the U.S. is a net beneficiary of its progressive immigration policies (even though they can be improved).
I wonder if the same can be said about other countries. I can not say I have seen examples of resourceful, enterprising endeavors by immigrants in Turkey.
As
a poet and a writer, I have to agree with Joe on the idea of
constraints. Restrictions, parameters, forces of limitation: all of
these require us to do what we as humans do best: problem solve. Like
that lovely cliché, "necessity breeds invention": when confronted with
an obstacle, a constraint, we invent. And we could say the constraint
of 140 characters is as arbitrary as are the rules for writing Haiku.
Yet the latter remains popular, fruitful, and (when done well)
enlightening–after centuries. Does it replace the novel or the essay?
No, it cannot serve the same function. Likewise, no novel can approach
what Basho could in three short lines.
I suppose what I'm suggesting, really, is that like all hip content
these days, it's generated by the user, and it's the user who
determines quality. Just as I'm a better poet than I am a blogger or
tweeter, there'll be people who'll bring the best out of the 140
character form. And I think, what'll continue to define the life cycle
of the technology won't be whether there is portability or not, but
rather whether Twitter or its confederates (like ExecTweets) enhance
our ability to find those who, shall we say, Tweet with the Gods. Seems
like these days there are plenty of worthy practitioners in every
medium, but the media which survives does so on the basis that it's
deliverable to the right audiences, at the right time.
Who tweets with gods? Do you have anyone you follow whose best is brought out by the 140-character limit? Twitter haiku is fun and interesting.